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statue India Architecture 100

World’s Tallest Statue Rises Above Gujarat, India

A 600-foot towering sculpture of India’s first Deputy Prime Minister Sardar Vallabhai Patel comes to life on the Narmada River. The sculpture was designed and master planned by Michael Graves Architecture & Design (MGA&D). The statue itself was designed by Indian sculptor Ram V. Sutar and reaches nearly 50 stories high. It sits on a three-tiered base which boosts it to its record-setting status.

This imposing bronze work, with its sculptured base, sits on its own riverine island, which is connected to the mainland by both pedestrian and vehicle bridges. The Statue of Unity is anchored with two structural concrete cores, which support the steel framework of the project. Attached to the framework are over 2,000 tons of exterior bronze paneling. It is designed by MGA&D to be an occupiable structure and act as the centerpiece for a resort that is coming to life around the statue. A viewing platform in the chest of the statue is approximately at 500 feet in altitude, offering magnificent and breathtaking views of the surrounding area. One of the biggest challenges in the statue, being shaped in a non-symmetrical pose was properly orienting the statue to the base and accommodating zig-zagging elevators inside the statue’s slowing robes.

Sardar Vallabhai Patel was a central figure in the Indian independence struggle as well as the unification of India’s 567 British states into one country. A rammed earth wall, constructed from dirt taken from every state in India, is used at the statue’s base as a background for the national flag.  This impressive statue and monument took eight years to design and four years to build at a cost of over $460 million dollars.

From the ADG Jobsite

Finishing an install of our art deco cast bronze pendant. Thanks Angie Socias!

 adg-architecture-custom-design

by Gerald Olesker, CEO, ADG Lighting

 

Beverly Center 2

Beverly Center Shows off a New Image

The Beverly Center is showing off a new facelift and revitalization on November 1st. The mid-city landmark first opened in July 1982, and showed off a unique design presence for the area. The unusual shape of the mall was a result of its position at the intersection of a number of angled local streets and the salt lake oilfield.

The new look of the Beverly Center will improve and enhance the aesthetic qualities of the landmark, with moving surfaces that replace the original static facade. The new surface will feature wavelike movement, which reflects the surrounding urban landscape. This effect is achieved through the use of a vertical series of throbbing LEDs, which create the wavy effect. The combination of new surfaces and LEDs dematerializes the volume of light and color, decomposing them and altering the viewer’s perception of the building in both day and night.

Visitors will enter into large brightly lit open spaces surrounded by the three story design of the mall, featuring breathtaking skylights. The skylight allows the flow of natural light to expand into all areas of the mall, including the first level and commercial meeting spaces. From the pleasant promenade inside the building, a panoramic terrace on the mall’s roof strengthens the relationship between inside and out, and welcomes both visitors and occupants of the surrounding areas to use it.

Beverly Center has been an iconic building in mid-city, drawing locals and tourists to this shopping mecca for decades. Withe the newest renovation and facelift, the area will continue to enjoy the upscale shopping and meeting center for the area. It will continue to reflect the innovation and lifeblood of Los Angeles for many decades to come.

From the Factory Floor

Sneak peak of our cast bronze art deco chandelier!

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by Gerald Olesker, CEO, ADG Lighting

Caed Vellum Architecture

CAED Cal Poly Hosts Design Exhibition

The 15th Annual Vellum Furniture Design Exhibition will be held on November 2nd and 3rd in San Luis Obispo and is a must see! The event is being co-hosted between Cal Poly Architecture and Environmental Design (CAED) school and Vellum Build Design.

It will feature 195 participant entries from students at CAED, who have been asked to conceive and construct furniture projects with tables, chairs, light fixtures, toys and other furniture designs. Their work will be judged by a panel of experts on function, individuality and beauty. The top project will be awarded the Milano Grand Prize and will travel to Milan, Italy in April for the Salone Internazionale del Mobile, the largest furniture fair in the world.

The competition provides students of CAED the opportunity to engage in real-life design situations, such as managing budgets, materials, fabricators and manufacturers. It also challenges them to meet real-life timelines, deadlines and construction schedules, all of which are not incorporated into the typical academic experience.

The Cal Poly acclaimed College of Architecture and Environmental Design (CAED) offers a unique blend of eight degree programs in five related departments. The CAED programs include architecture, architectural engineering, regional and city planning, construction management and landscape architecture. The school has a 70-year history, with over 16,000 alumni, who have been a driving force shaping the planning, design and construction disciplines.

From the ADG Jobsite

One of several custom tables made for a high rise entry space in San Francisco.

adg furniture

by Gerald Olesker, CEO, ADG Lighting

Midtown Center 100

Midtown Center in Washington DC

Midtown Center is located at the corner of L Street Northwest and 15th Street Northwest, on the site of the old Washington Post, which was razed in 2016. Three elevated walkways link two wings of the U-shaped, glass-faced office building. Midtown Center was designed by SHoP Architects, just four blocks from the White House in the heart of Washington DC.

This innovative addition to the DC landscape is a 14 story U-shaped building, encompassing 865,000 square feet and serves as the headquarters of Fannie Mae. Beyond meeting the needs of Fannie Mae, the aim of the Midtown Center project was to create a building that helps energize this part of the city. One of the most welcoming features is the open and expansive public plaza, with retail and dining enterprises that bring the space to life. The courtyard features intimate gathering areas, a sunken granite fountain, and angled pathways that connect with the surrounding neighborhood.

High above the public plaza are three angular sky bridges connecting the towers, which help to animate the public plaza below. The façades of the building are sheathed in glass, allowing natural light to penetrate the interior workspaces. The copper accents on the exterior pay homage to local design traditions in Washington DC. It will develop a patina over time and is used throughout, adding a deep texture to the skybridges.

In the planning of Midtown Center, SHoP Architects took their inspiration from the original master plan for Washington DC by Pierre Charles L’Enfant. They created a building that allows visitors to angle strategically across the site and engage with it in new ways.  

From the Factory Floor

Handmade art deco chain getting ready for Bel Air!

Adg Custom Lighting

by Gerald Olesker, CEO, ADG Lighting

 

 

Bloomberg Architecture400

Bloomberg European Headquarters Wins Stirling Prize

 

Located in the heart of London, near the Bank of England and Saint Paul’s Cathedral, this two-building structure has won the Stirling prize, which is the UK’s most prestigious architecture award. The Stirling Prize is awarded annually by the Royal Institute of British Architects (RIBA). In a unanimous decision, the Bloomberg building won over five other finalists. Ben Derbyshire, RIBA President stated that:

“This building is a profound expression of confidence in British architecture — and perfectly illustrates why the UK is the profession’s global capital. This role and reputation must be maintained, despite the political uncertainty of Brexit.”

Designed by Foster + Partners with sustainability in mind, it is also recognized as the top-rated major office building in the world based on BREEAM standards.  The inspiration for the building was to create a cutting-edge design that would push the boundaries of accepted design and set new standards for openness and sustainability, while honoring London’s history. The building uses 73% less water and 35% less energy than a typical office building because of the latest innovations in power, lighting and water imagined in the design. The airflow is automatically adjusted by smart sensors, based on the number of people occupying each area of the building at any given time. This alone reduces CO2 emissions by 300 metric tons annually, plus another 500-750 metric tons are reduced by a unique heat/power generation unit which reuses its own waste heat for cooling and heating the building.

The Bloomberg HQ is not only the standard for sustainability, it is just plain gorgeous. The first thing you notice is the sandstone facade, which is accented by large bronze fins which vary in pitch and scale according to orientation and solar exposure, which provide both shade and ventilation. At the center of the site is a pedestrian arcade which re-establishes an ancient Roman road and a museum which displays the Roman temple of Mithras, which was discovered on the site 60 years ago.

Visitors to the Bloomberg HQ enter a two story artwork made from curved timber shells called the Vortex. The entire flow through the building is choreographed by art. The heart of the building is the 6th floor ‘Pantry’ which encompasses a large concourse and cafe space that offer panoramic views of the city. A distinctive bronze ramps spirals down to the office floors below the ‘Pantry,’ which was designed to encourage, by chance, walk and talk meetings that are comfortable and collaborative. The high-tech offices have ceilings fitted with 2.5 million aluminum petals, which regulate acoustics, temperature and light.

In its 23rd year, the RIBA Stirling Prize is awarded to the architect of the most signifcant building of the year. The award criteria is based upon factors such as design vision, innovation, originality, accessibility, sustainability and the capacity to stimulate.

  From the Factory Floor

 A little inspiration…

Adg Custom Factory Lighting

 

by Gerald Olesker, CEO, ADG Lighting

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ADG Lighting Custom Fixture Featured On Dering Hall

ADG Lighting designs, fabricates and manufactures lighting fixtures, architectural ornamentation, and metal work in all styles. Our versatility can be seen in our wide range of work on a number of residential and commercial properties. The versatility of our work includes projects in transitional architecture, traditional architecture, contemporary architecture, historic architecture, and high-end architecture.

Dering Hall offers an entirely new approach to furnishing a home—and one that makes hunting for that perfect bespoke sideboard a dynamic and enjoyable experience. Our partnership is ideal, as we offer unique and creative design solutions for a discriminating clientele. We are proud to share our recent feature on the Dering Hall platform.

We are grateful to be a featured professional this month with Dering Hall — check out our featured fixture!

Pre-Vintage Spanish Chandelier

Adg Lighting 90540 Spanish Chandelier 4 Lighting Ceiling Iron

From the ADG Jobsite

Lighting at a Malibu vineyard pool for a complete modern makeover!

Adg Custom Lighting

by Gerald Olesker, CEO, ADG Lighting